Update 17 March 2020: Due to the current Covid-19 outbreak in the UK, Circomedia has decided to cancel all upcoming performances until Easter 2020 (up to 17th April). If you have already purchased a ticket, you will be contacted directly over the next few days.
For shows beyond 17th April, we are continuing to monitor the situation and will make decisions accordingly. Please check our website and social media feeds regularly for updates.
Thurs 26 & Fri 27 March 7:30pm
Contains nudity (not full) & stripping – Age Guidance 16+.
LINE-UP CHANGE (13 Mar 2020): Unfortunately, due to illness, Hannah De Meyer is unable to perform on Thursday 26th and Friday 27th March 2020. Therefore, the full-length versions of Precedents To A Potential Future and The Sensemaker will be performed instead. We apologise for any inconvenience caused
An exhilarating all female line up of dance, theatre and storytelling. Three shows from 3 different counties, all in one astounding evening.
Each year, BE FESTIVAL packages up three of their favourite shows from their international festival and sends them on a tour of the UK. Three companies from Belgium, Switzerland and Hungary will showcase snapshots of storytelling, dance, physical theatre, in three, 30-minute shows all in one exhilarating evening.
Hungarian dance-artist Anna Biczók mixes memories, imagination and shifting perspectives to explore the phenomena of an ‘experience’ in her solo dance lecture Precedents to a Potential Future.In The Sensemaker from Switzerland, a mute dancer panics and strains to keep her tightly orchestrated routine in time to the chopped-and-spliced soundtrack. Bits and pieces of music and spoken word are contrasted to push the protagonist to the limit.Levitations by Belgium’s Hannah De Meyer is a dark, funny and surreal trip around Hannah’s universe. She effortlessly crafts together movement and poetry where hope and despair, being and not being, sexuality, love and death rub shoulders.
“A whirlwind of thought-provoking pieces of pure performance art, theatrical, musical and comedic brilliance.” ★★★★★ – What’s On 2018
“Ground-breaking new theatre from across Europe.” – The Guardian 2016
“Challenging, thought-provoking and sometimes difficult to watch, but that’s exactly what the best art should do.” – Birmingham Review 2018